Variations on a Melody Part XIII

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In this next series of lessons I will demonstrate some of the most common techniques of melody variations. 

Also called exploiting a Motive, Theme, Line, Riff or Cantus firmus.   




Original melody:

Thumbnail image for Example one.png


Different time signature. Gives a different feel to the same melody. Also use: 2/4, 3/4, 3/8, 6/8, 9/8, 12/8.               Also combine time signatures and tempos.  

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Now I will combine 6/8 with counterpoint. Notice how I have also changed the approach from my previous counterpoint example. This is to done to illustrate some of the endless possibilities.

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Now transpose above examples to each position (register) of your instrument, then once your comfortable in one key transpose to all 15 keys.

Also create three of your own melodies and apply this technique.

Then transpose to all fifteen keys. Remember to write out you ideas on the musical staff. If you do not read or write music consider getting a book and learning how to.

 

All materials for personal use only.

Vince Lauria Sun and Earth Music

Copyright © 2011

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